Dear Marie Stopes

“A first rate edition to the catalogue of one act operas” - The Stage

A new chamber opera by Alex Mills exploring sexuality and women’s bodily freedom - based on Marie Stopes' controversial sex manual from 1918 and the intensely moving archive of private letters it inspired.

Featured in The Guardian, The Economist, Independent, Evening Standard, Stylist and The Stage.

"Still relevant and still controversial - ★★★★½"- Robert Hugill

"Music of supernatural poignance, melodic but otherworldly, narratively urgent but poetically impressionistic." - The Guardian

“A 45-minute musical meditation… the three voices twine with Rosenkavalier-like sensuality” - Opera magazine


Background

First published in 1918, Marie Stopes’ infamous sex manual, Married Love, revolutionised the way people understood desire, sexuality and sexual health. In response, Stopes received thousands of emotionally-charged letters from readers asking for more advice and sharing their individual stories, which are now stored in Wellcome Collection’s archives.

A century on, "Dear Marie Stopes" by  Alex Mills explores this fascinating snapshot of a society’s sex life using extracts from the letters - with striking relevance to society today. The libretto uses letters from the archive carefully collated with archivist and gender and sexuality expert, Dr Lesley Hall, and writer and librettist, Jennifer Thorp, and the production has been sensitively directed by Nina Brazier. 

"This is Alex Mills' first opera, and in it he achieves a confident control of pacing, drama and texture, making what is essentially a quasi-site-specific work into something far more." - Robert Hugill

The world premiere took place at The Wellcome Collection, August 2018, as part of Tête-à-Tête opera festival, and the opera was performed again at Kings Place in September 2019.

Scored for Soprano, Contralto, Countertenor, Viola da gamba, Cello, Percussion + electronics. Running time: 45 minutes


"A 45-minute musical meditation with throbbing pedal points over which the voices range in chant-like melodies or angular homophony… Most memorable is a climactic trio in which the three voices twine with Rosenkavalier-like sensuality” - Opera magazine 


Trailer



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